![]() ![]() ![]() Final Cut Pro color grading presets are pre-made settings that allow you to quickly and easily apply a specific look to your footage. What Are Final Cut Pro Color Grading PresetsĬolor grading is the process of adjusting the colors and tones in your video footage to create a specific look and feel. Best of all, they're super easy to use, even if you're just a beginner in Final Cut Pro. If you want to take your videos to the next level by making them look professionally edited inside of FCPX, these editing packs by Motion VFX will help you do so! MLUTCine, MLight Diffuse, MLUT FIlm 3, MFilm Look and MFlare are our top picks for those who are looking for a cheap and easy way to upgrade their video color correcting skills in no time! These bundles include Final Cut Pro filters for film looks, natural looks, film themes and more. Motion VFX has plenty of high quality plugins and preset/LUT packs for color grading and color correction on Final Cut Pro. Final Cut Pro is a popular choice for video editing, and with the addition of 99+ color grading presets and a free plugin, editing has never been easier. When used correctly and effectively, cinematic LUTs can unlock unseen potential in every film project and bring your footage to life.Ĭolor grading is a crucial aspect of video editing that can make or break the overall look and feel of your video. Additionally, in their compressed form, they can save valuable time when dealing with large projects with many layers. With the right pack, you can access desired tones quickly and easily - all while maintaining consistency between shots. Whether shooting a commercial, a music video, or a feature length film project, cinematic LUT packs offer powerful and intuitive color correction capabilities. You can off course use this setting on other clips by clicking the Save Effects Preset button in the bottom right hand corner of the Inspector.Cinematic LUT packs are an increasingly popular tool for professional videographers and editors. Select the area and the whole image should change.Īnd that is Auto White Balancing by choosing an area you wish to be white. Move the Cursor and it will change to the Eyedropper. Instead, we will sample her T-shirt which although is not 100% white, it does have more colour information. We would go further and say avoid the completely blown out whites such as the lights in the roof. You will see that FCPX gives you a little hint here in the bottom left hand corner of the canvas to select an area that should be pure white. You can also apply this colour correction fix to clips and images in the Final Cut Pro X Browser, not just the Timeline!īack to the Inspector and select White Balance form the dropdown menu in the Balance Color controls. The controls will appear in the Video Parameters Tab in the Inspector. You might notice a slight contrast change as well as Final Cut Pro X expands the blacks and whites to their corresponding 0% and 100% levels. This will apply an FCPX generated balance, which does look a lot better than the original, but there is still a cast. Then click on the magic wand and select Balance Color or you could use the shortcut OPT CMD B. Navigate to the bottom left of the canvas where you will see three icons. You would think that you need to head straight over to the colour tools in the Inspector ( CMD 4) looking for the auto white balance, but you would be wrong. Thankfully you now have a third option right inside FCPX. (It does happen!)īefore the 10.4 update you had two choices how to fix the colours.ġ) Mess about with the Colour Board with an eye on the vectorscope trying to remove the cast.Ģ) Buy a third party colour correction plugin or roundtrip through another NLE or colour grading app. This can happen with fluorescent lighting or even something simple like the cameraman getting the white balance or filter on the camera wrong. Here you can see we have an indoor portrait with a rather nasty colour cast. The good news is that the eyedropper and the Auto White Balance features are back in Final Cut Pro X 10.4, but not where you would expect to find them! Many editors complained that the handy eyedropper that made a 'one click fix' for colour correction had gone. When Final Cut Pro X was released back in June 2011, one of the missing features from FCP7 was the Auto White Balance tool. In this tutorial we will show you how to get rid of unwanted colour casts using the Auto White Balance tool in Final Cut Pro X ![]() How to Auto White Balance Colours in Final Cut Pro X 10.4 ![]()
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